Picture
Starring Colin Farrell
                Brendan Gleeson
                Ralph Fiennes
                Clémence Poésy
Directed by Martin McDonagh
Blueprint Pictures (Film4, Focus Features, etc), 2008

A dark comedy in all sense of the meaning, this R-rated film paints a beautiful portrait of the old and majestic city of Bruges/ Brugge (Broodj in French, BROOG-uh – in Dutch) while unwinding an intricate storyline with characters of all shapes and sizes. Some very funny moments (heightened by opposing dialects) are juxtaposed with moments of deep sorrow and regret and yet, the direction of the film leaves us in an ethereal state of thought and being.

Favorite part? Colin Farrell karate chops a little person (Jordan Prentice) in the neck.
Favorite line? Collin Farrell to Brendan Gleeson: "Ken, I grew up in Dublin. I love Dublin. If I grew up on a farm, and was retarded, Bruges might impress me but I didn't, so it doesn't."

 
Picture
Starring Audrey Tatou
                Mathieu Kassovitz
                Serge Merlin
Directed by Jean-Pierre Jeunet
France 3 Cinéma, Canel +, 2001

This is a whimsical charmer for all (or at least all who are at the mature age of watching a mini-sex scene). An adventure that will take you all over Paris, Amélie is a fast-paced story that introduces the viewers to all types of characters and personalities.

Note: Unless you understand French, put on the subtitles.

 
Picture
Starring Colman "Tiger" King
                Maggie Dirrane
                Michael Dillane
Directed by Robert J. Flaherty
Gainsborough Productions, 1934

(By the way, "Aran" is pronouced as AH-rehn, similar to but not as hard as the name Aaron. Not A-ran or A-ron)
 
I remember watching this movie comfortably on an oversized couch with cast mates as we prepared for a production  of Martin McDonagh’s The Cripple of Inishmaan. Inishmaan, along with Inishmoor and Inisheer, compose the Aran Islands which lie off the west coast of Ireland in the Galway Bay.

At first I thought this fictionalized documentary would depict the characters’ challenges of living in the harsh, pre-modern 1930’s Ireland, ehh…not exactly. Shots of the islands and rock appear more than the characters do (thus creating a bit of a dull film).  Nevertheless, both the dialects and landscapes were intriguing.